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MakeItVin
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I admire your notion of fair odds, Mister!
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« Reply #4 on: March 08, 2004, 08:21:14 PM » |
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I rented that movie recently! It also stars Henry Fonda, but it's kind of a weird flick. In fact, Terrence Hill's character is so rediculously (spelling?) fast that it's hard to tell if the director/producer/writer meant it to be funny, real, or satirical. There are a few scenes in it where he is showing off how fast he is, flipping the pistol up and down and around and taunting his enemy, and it kind of turned me off the first time I saw it. Since Ennio Morricone's soundtrack is so wacky (but it fits the movie), I wonder if the movie makers were in a giggling mode when they made it. Just a really weird flick; it's definately not for those who want to watch a (real) western. And I've never seen that actor in any other movie, ever. I hope this movie didn't kill his acting career!!
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Holden Pike
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"If they move, kill 'em."
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« Reply #9 on: March 21, 2005, 05:27:42 AM » |
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I'm a huge fan of My Name Is Nobody. I think it's a funny parody of Spaghetti Westerns that's also fairly poignant. Yes Sergio Leone produced the film and co-wrote the story, which might explain why Henry Fonda is on board for such a low budget, odd little movie (Fonda said many times that Frank in Once Upon A Time in the West was the favorite role of his career). Fonda is Jack Beauregard, a legendary gunfighter nearing the end of his days. Terence Hill, best known for the silly Trinity series, is the good-humored, smiling hotshot with no name referred to only as "Nobody". Nobody's plan is to have his hero, Beauregard, go out in an historic blaze of glory, single-handedly facing down the Wild Bunch, a mercenary gang of 150 blood-thirsty cutthroat sons-of-b!tches. After all, it's the only exit fitting for such a legend. What follows is a conscious parody of the subgenre Leone made famous: the long, slow camera shots, protracted showdowns, extreme close-ups, bursts of graphic violence and even the requisite Ennio Morricone score (actually one of his best). All the ingredients are here, and they're all used to perfection. If you know Leone's work, you will find many little references and in-jokes to keep you giggling. And not just Leone's films are used for fodder, but other great Westerns too, including Ford's and Peckinpah's, and even non-Westerns references like the funhouse mirror sequence from Orson Welles' The Lady from Shanghai. This is one of those movies for movie nuts, where the more you know going in, the more you will get out of the experience. The humor is often quite broad, even resorting to sped-up Keystone Cops-type action in a few spots. But it all works for me. The tone is such that these sometimes very silly sidetracks seem to fit. Hill is a good comedian, naturally charming, and Fonda seems genuinely amused throughout. But if the overall intent was to have fun at the genre's expense, by the end, My Name Is Nobody very subtly increases its ambition and is a smart observation on Western mythology and a welcome addition to the ranks of the films it set out to poke fun at. Rather than easily dismiss it as a lark, it should be included more prominently at the end cycle of those great Revisionist Westerns from the late '60s and early '70s. The poignancy and intelligence of Fonda and the script kind of sneak up on you, but through the gags and laughs there really is something to this story. Along with Fonda and Hill are a few familiar Western faces in cameos, including R.G. Armstrong (a Peckinpah regular from Pat Garrett & Billy the Kid, The Ballad of Cable Hogue and Ride the High Country), Leo Gordon (longtime Western vet, including films with Randolph Scott and John Wayne), Mario Brega, Piero Lulli and Jean Martin (from many a Spaghetti Western) and Geoffrey Lewis (who we know would become a longtime Eastwood co-star and had just appeared as the villain in Clint's High Plains Drifter). This is the Spaghetti Western parody I imagine Sam Raimi must have been trying to make but failed at miserably with The Quick & the Dead (1995), and the fun deconstruction of myth Robert Rodriguez attempted in the first half of Desperado (1995), but neither of those efforts succeeds as well or as deeply as this oft-forgotten film. Having Leone involved in the production lends credibility and maybe even a touch of magic to My Name Is Nobody. Rumors persist that Leone might have had a more hands-on part of the production than the credits bare out, and while not as widely disputed as the Christian Nyby/Howard Hawks direction of The Thing from Another World, some still believe Sergio must have been calling at least some of the shots on the set. I think this rumor survives mostly because My Name Is Nobody is so good, so Valerii isn't given the credit he probably deserves. 
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« Last Edit: June 19, 2005, 09:03:50 AM by Holden Pike »
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"We're not gonna get rid of anybody. We're gonna stick together, just like it used to be. When you side with a man you stay with him, and if you can't do that you're like some animal, you're finished. We're all finished."
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