higashimori
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« Reply #1160 on: December 22, 2014, 08:47:30 PM » |
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'' Joe Cocker, Raspy-Voiced Rock Star With Distinctive Moves, Is Dead at 70 '' He was only 70!! http://www.nytimes.com/2014/12/23/arts/music/joe-cocker-is-dead-at-70.html?emc=edit_na_20141222&nlid=51580126 Joe Cocker, the gravelly British singer who became one of pop’s most recognizable interpreters in the late 1960s and ’70s with passionate, idiosyncratic takes on songs like the Beatles’ “With a Little Help From My Friends,” died on Monday at his home in Crawford, Colo. He was 70.
The cause was lung cancer, his agent, Barrie Marshall, said.  R.I.P. Joe!!
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" They just don't make then like this anymore ." " I just don't meet then like him anymore !! "
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KC
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« Reply #1162 on: December 30, 2014, 02:37:01 PM » |
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Christopher
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« Reply #1165 on: December 30, 2014, 09:21:53 PM » |
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Christopher
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« Reply #1167 on: January 02, 2015, 01:13:02 PM » |
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KC
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« Reply #1169 on: January 09, 2015, 07:36:45 AM » |
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The Schofield Kid
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All on account of pulling a trigger.
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« Reply #1172 on: February 10, 2015, 09:59:09 PM » |
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Lizabeth Scott passed away on January 31. Lizabeth Scott, a sultry blonde with a come-hither voice cut out for the seething romantic and homicidal passions of her Hollywood film noir roles in the late 1940s and early ’50s, died on Jan. 31 in Los Angeles. She was 92.
Cedars-Sinai Medical Center confirmed the death, but did not give a cause.
Ms. Scott was billed as another Lauren Bacall or Veronica Lake, and in many of her 22 films she portrayed a good-bad girl with love in her head and larceny in her heart, or vice versa. Her co-stars were Humphrey Bogart, Kirk Douglas, Burt Lancaster and other tough gents, and her movies’ titles were lurid stuff: “The Strange Love of Martha Ivers,” “Dead Reckoning,” “Pitfall,” “Dark City,” “I Walk Alone” and “Bad for Each Other.” http://www.nytimes.com/2015/02/07/movies/lizabeth-scott-film-noir-siren-dies-at-92.html?_r=0I know Holden Pike is a big fan. http://www.clinteastwood.org/forums/index.php?topic=7062.msg117848#msg117848
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« Last Edit: February 10, 2015, 10:00:46 PM by The Schofield Kid »
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"Winners are simply willing to do what losers won't."
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KC
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« Reply #1174 on: February 16, 2015, 03:39:09 PM » |
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Louis Jourdan has died at the age of 93:  Leslie Caron, in the title role [of Gigi], and Louis Jourdan as playboy Gaston. In a career that spanned more than 50 years, Jourdan played key roles in scores of films and TV shows, but felt he was too often stereotyped as the European lover, complete with charming accent.
"That ooh-la-la, conventional, embarrassing character," he complained in a 1965 interview with the Associated Press. "I'm proud to be a Frenchman, but I resent the image people have of the stupid, continental charmer.
"Against that type of role I fight pitilessly."
Robert Osborne, film historian and host of the Turner Classic Movies cable channel, said Jourdan was indeed capable of serious work in roles such as the callous concert pianist he played in the 1948 movie "Letter From an Unknown Woman" that has become a film-buff favorite.
But at the time it came out, the film didn't do Jourdan's career much good. "Audiences didn't want to see him in that kind of role," Osborne said in an interview with The Times. "I think he's right that he was stereotyped.
"He was hired for his profile." http://www.latimes.com/local/obituaries/la-me-louis-jourdan-20150215-story.htmlR.I.P.
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KC
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« Reply #1175 on: February 27, 2015, 08:39:55 PM » |
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« Reply #1178 on: April 03, 2015, 06:43:51 PM » |
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The last reel has finally run through the projector for Manoel de Oliveira. The late-life prodigy was 106. http://www.nytimes.com/2015/04/03/arts/manoel-de-oliveira-pensive-filmmaker-who-made-up-for-lost-time-is-dead.htmlFor much of the past 25 years Mr. Oliveira was known among cinephiles as the world’s oldest active filmmaker. Unable to work for decades under the repressive right-wing government of António de Oliveira Salazar, who came to power in 1932, Mr. Oliveira started making up for lost time in his 60s, at an age when most directors are entering their creative twilight.
Almost as old as cinema itself, Mr. Oliveira often seemed like a filmmaker out of time, or perhaps of many times, a 20th-century modernist drawn to the themes and traditions of earlier eras. He was known for ruminative, melancholic, often eccentric movies about grand subjects like the nature of love and the ever-present specter of death. The director Manoel de Oliveira in 2009 at an announcement of a retrospective in Berlin. Credit Barbara Sax/Agence France-Presse — Getty Images ^ He looks pretty good for a hundred-year-old! Clint has occasionally mentioned him in interviews as someone whose continued productivity at an advanced age is to be emulated. R.I.P.
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Christopher
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« Reply #1179 on: April 08, 2015, 06:16:10 AM » |
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