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Christopher
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« Reply #4 on: June 20, 2014, 05:03:26 PM » |
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I saw it at the first matinee today as well. The theater wasn't full by any means, but it really was a nice crowd there. It's been a while since I've seen a movie with that size of a crowd honestly (of course sometimes I make it to weekday matinees, as opposed to an opening Friday afternoon). The crowd was made up of mostly older adults--I hope I can say that without getting myself into trouble.  I enjoyed the movie. I, like exitt00, really enjoy the song "Can't Take My Eyes Off of You." That one has always been a favorite of mine anyhow, and I'm familiar with a lot of the other songs from the Four Seasons. I could tell that a lot of the other people in the theater enjoyed the movie as well, and some were even quietly singing along during the closing credits. I might try to make it back to see the movie before it leaves theaters at some point here in the near future.  Edit: You know, I didn't even notice that I was posting in the thread that allows for spoilers as well. If it's okay, I think I'll post the above in the non-spoilers thread as well. As far as discussion of spoiler type material, I didn't know much about Frankie Valli, so I was very surprised when his daughter died. As the film progressed, I kept wondering if I'd ever heard of his daughter, but couldn't seem to place her. And of course, as I said, I don't know much about his life in the first place.
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« Last Edit: June 20, 2014, 05:08:48 PM by Christopher »
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billyward14
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« Reply #5 on: June 29, 2014, 06:54:49 PM » |
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MY YOUTUBE POST ON YOUR FALLON INTERVIEW CONCERNING JERSEY BOYS:: jeffytheblueclown 5 minutes ago BIG PROBLEM WITH THE STORYLINE: THE MOVIE OPENS UP IN 1951. During the robbery, Frankie as the lookout, is supposed to give a warning by singing "Silhouettes", a hit by the Rays. Only problem- "Silhouettes" came out in1957!!!! Also in the court room scene, where Frankie's Mom yells at Tommy, and Tommy mocks Frankie's innocence by singing "EARTH ANGEL", a record that was first released by the Dootone label in 1954, and later by Mercury in 1955!!! Very sloppy screenwriting, and script continuity. Very surprised that Marshall Brickman, the co-writer, and Woody Allen's first collaborator would make such a mistake! I'm Just as surprised by Clint Eastwood letting this go, but in HIS defense, his forte is blues, and jazz, NOT doo wop, nor 1950's vocal group harmony. Marshall was a young man at the time "Silhouettes", and "EARTH ANGEL" were hits. HE LIVED THE MUSIC! HE SHOULD KNOW BETTER!....JEFF RUBIN, PROFESSIONAL SONGWRITER, LIFELONG VOCAL GROUP HARMONY LOVER AND HISTORIAN!" SUGGESTION: CLINT, NEXT TIME, MAKE THE EFFORT TO BE MORE ACCURATE CONCERNING A PERIOD PIECE! YOU WOULDN'T HAVE KENNY G IN A SCENE WITH CHARLIE PARKER, now WOULD YOU??? IT'S EMBARRASSING!!!..... J
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AKA23
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« Reply #12 on: July 08, 2014, 07:53:31 AM » |
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I saw "Jersey Boys" too. Overall, I thought it was a decent film. I'll first discuss what works well. There are few musical productions on display in the film, but what is there is well done. Eastwood knows music, and his decision to use mostly Broadway actors who had previously played these characters on the stage was a good choice. In addition, Eastwood's decision to have the actors sing live also works well, as it adds a degree of authenticity to this project that gives it an added credibility. Christopher Walken's supporting performance is also good, and I liked the actress who played a minor supporting role as a reporter.
However, despite these positive elements, for me this really wasn't a very enjoyable film to watch. My well publicized reservations about this film centered around it being a musical, but what I found most surprising about the way Eastwood directed the film version is that it really isn't a musical at all. In transforming the Broadway musical from the stage to the screen, Eastwood and the screenwriters chose to place the music in the background, and to foreground the back story. As a result, there are very few musical numbers which are heard in their entirety. Eastwood is constantly cutting down the musical numbers and shifting back to the plot. In my opinion, this was a huge mistake.
The reason why is that what is left is a pretty run of the mill, by the numbers musical biopic with all the usual elements we have come to expect from this type of film. The rise and fall of the band, relationships being formed and then breaking apart, and the usual family drama. Since we've all seen this story told many times before, none of it is really very interesting to watch on film. This is why I found the film to be so puzzling. To me, the attraction of filming this project was that it was a musical. While I personally don't like musicals, many do, and to me, this is what is new and different and unique about this project. Absent the musical factor, there's really nothing special about this play, yet rather than making the music the centerpiece, Eastwood chose to sideline it. The songs should be the star, but in Eastwood's film, they are not.
In my opinion, the screenplay is also a bit of a mess. It is very similar to the screenplay for Eastwood's last film as a director, "J.Edgar." It is very episodic, it goes back and forward in time, and there is very little indication of what time period we are in or where the story is going. It is very disjointed, and because of the screenplay's structure, it is often difficult to follow. Characters appear and disappear, only to reappear later. We spend so little time getting to know many of them that by the time they re-appear, moments that are supposed to be poignant fall rather flat. A good example of this is the story with Frankie Valli's daughter and the scenes having to do with Valli's marriage to his wife. This script really needed major revisions before being filmed.
For many of the above reasons, I came way with feeling that this project really wasn't a good fit for Eastwood as a director. The film is very slow, the cinematography is quite dull and monochromatic, and Eastwood's preference for human drama, which usually works well on film, ends up crowding out the more unique and interesting elements of this project. The film lacks vitality, it lacks energy, and it lacks warmth. A film of this kind should be fun and bright, not dull and ponderous, but this film makes it seem like a horrible experience to have been a member of the Four Seasons. In my opinion, Eastwood tries too hard to transform this film into the type of dark and brooding human dramas that he enjoys making, but his attempts to do so don't fit the tone of this project or the desire of the audience to feel energized and to feel the incredible highs that must accompany being a member of a band that was so popular for so long.
Some parts of the movie work well, and overall, I think this is a decent film. I quite liked the concluding scene when the gang gets together after many years apart and tells the audience what they have learned from the experience. The film is worth a viewing, but I can't say that I'll have the desire to see it again.
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« Last Edit: July 08, 2014, 08:04:16 AM by AKA23 »
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Jed Cooper
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« Reply #17 on: November 30, 2014, 09:54:31 PM » |
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My wife got me Jersey Boys on DVD for my birthday. I picked up a copy for her mom for Christmas but will exchange it since she lives with us. I watched it today. I'd like to take back something I said some years ago after being disappointed with Invictus and disgusted with Hereafter. I said something to the effect that a Clint Eastwood movie is one that he stars in. Period. J. Edgar and Jersey Boys has proven me wrong. After all, not every movie he starred in was great (I do stand by my statement that I consider him the greatest actor ever). Also, I apologize to those who may have taken offense to what I said at that time. I felt very strongly about it then but not anymore.
I enjoyed this film. I thought it was done very well. I enjoyed seeing album covers by Elvis, Ricky Nelson and Sinatra on the wall behind Dick Clark on The Four Seasons' appearance of American Bandstand. The Joe Pesci references were great; "Funny how?" from Goodfellas and "Ok, ok, ok!" from the Lethal Weapon series. Of course, it was very cool seeing a snippet of Rawhide on one of the hotel room TV sets, too.
I thought the acting was very good. The musical numbers were done very well and were entertaining. The Four Seasons were big in their day, probably the last big thing before The Beatles came along. It's nice knowing they're inducted into the Rock 'n' Roll Hall Of Fame. Deservedly so.
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« Last Edit: December 02, 2014, 01:35:44 AM by Jed Cooper »
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“Eyuh.”
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