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AKA23
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« Reply #43 on: June 03, 2013, 01:35:18 PM » |
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I think there are always interesting stories and experiences to share about Eastwood's process as a filmmaker. Palooka, you have shared a few of these yourself, so I know that these stories exist! All that is ever said in these documentaries is that Clint is the best director out there, but beyond that, it's rarely ever explained why. What separates Eastwood from other directors and how does he approach the filmmaking process? How does this approach differ from other director's these actors have worked with? The explanations for why he is so great are that he doesn't say action or cut, he does very few takes, and he's worked with the same crew for decades, but I am sure that there are things that set Eastwood apart from others beyond these superficial points. I'd love to learn about what those are. How does Eastwood deal with conflict? What is his approach to dealing with the technical aspects of filmmaking? How does Eastwood deal with unforseen or unexpected challenges throughout the shoot? When an actor has a problem, how does Eastwood deal with it? Those actors and film professionals who have worked with him are in a unique position to shed light into Eastwood's total role as a filmmaker, but these very interesting aspects of his career are almost never dealt with or explored in these documentaries. Thankfully, we got a lot of that from the Master Filmmaker at Work book that came out recently, but it would be so nice and so interesting to delve into all of this on these documentaries about Eastwood's career because these are the things that make Eastwood such a great director, yet they are almost never explored in these retrospectives.
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Dan Dassow
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« Reply #44 on: June 05, 2013, 05:22:19 AM » |
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END CREDITS
Directed, Written & Produced by Richard Schickel
Co-producer Doug Freeman
Associate Producer Faith Ginsberg
Editor Faith Ginsberg
Director of Photograph Kris Denton
Additional Cinematography John Slagle Jayme Roy Keven McCafferty Peter Zivkovic Dean Eastman Liz Radley
Sound Recordists Ken Pries Greg Rothschild Joe Pasciscia Jim Gallup Marla Hettinger
Online Editor Joe Whiting
Colorist Matt Lear
Post Production Services West Post Digigal
Titles and Graphics Design Illumina8 Creative
Technical Advisor Howard Brock
Sound Design and Editorial Harry E. Snodgrass, C.A.S. Mark Linden, C.A.S Tara Paul, C.A.S.
Re-Recording Mixer Mark Linden, C.A.S.
Music Supervision Doug Freeman Honkytone Music
Special Thanks to Sandy Murry De Wolfe Music Non-Stop Music Library and Warner/Chappell Production Music The Entire Staff of Warner Bros. Home Entertainment
The Good, The Bad and The Uglle (C) 1966 P.E.A Films Inc. All Rights Reserved And For a Few Dollars More (C) 1965 P.E.A Films Inc. All Rights Reserved Courtesy of MGM Media Licensing & P.E.A Films, Inc.
Changling, Play Misty for Me, The Beguiled, Coogan's Bluff and Amazing Stories Courtesy of Universal Studios Licensing LLC
Archival Interview Footage Courtesy Leva Filmworks
Images Supplied by Michael Ochs Archives Universal Pictures Bill Ray Keystone Ron Galella Courtesy Gett Images (C) Steve Star (C) David Smith/AP (C) Douglas C. Pizac/AP (C) Stephane Carinale/People Avenue Coursey Corbis
Rawhide Stills Lincensed by CBS Broadcasting
Available from Warner Bros Home Entertainment Dirty Harry The Outlaw Josey Wales White Hunter Black Heart Unforgiven The Bridges of Madison County Midnight in the Garden of Good and Evil Blook Work Mystic River Million Dollar Baby Letters from Iwo Jima Gran Torino Invictus Hereafter J. Edgar
(C)2013 Warner Bros. Home Entertainment All Rights Reserved
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« Last Edit: June 05, 2013, 05:24:58 AM by Dan Dassow »
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